L’Homme Absurde - Monsters (2016, Fono Ltd.)
Sold as a
Post Black Metal album, Monsters by
the Russians of L’Homme Absurde, a
concept borrowed from Albert Camus,
is a Melodic Post Black Metal cum Blackgaze etc. This record enters well into
the genre that links Locrian, Deafheaven, and Ashbringer. It captures this melodic melted with shoegaze craze
that Sunbather unleashed upon our
world of American Black Metal that is not in the vein of the Second Wave or the
Scandinavian Black Metal. L’Homme
Absurde was at first a one man band formed by drummer A. (Mare Infinitum, Who Dies In Siberian Slush, Comatose
Vigil) in 2015 and in 2016 joined by Georgiy Bykov (Mare Infinitum also) and Isod on the guitars and Yuri S. handling
the bass.
With the ‘’hipster’’
Black Metal approach of Blackgaze and the Progressive latter Enslaved album, especially the song ‘’Strayed’’, L’Homme
Absurde goes a long way in making those sweeping guitars and the intense
blast beats sections. They have a sound that is respectable in the form that
they make it, crisp, clean, aggressive, and screeching while bearing a simple
beauty of the clean guitars. The downfall here is the comparisons and the album
length.
The
comparisons to the plethora of Blackgaze acts is endless and the progressive
touch also suffers from being a bit out there. You can pin point the bands that
influence L’Homme Absurde. It also
scares me a bit that this kind of Black Metal will feel very dated and trendy
ten years from now.
My other
preoccupation with this album is its length; 51 minutes in eight songs it is
long. The album also feels long and drags here and there. There are repetitions
from songs to songs and despite great ideas they are not edited and this makes
it suffer at the end.
With all that
said, Monsters is still a piece of
well executed Blackgaze from talented musicians. A producer that would be able
to slim down their music could elevate their compositions to a whole new level.
It is solid and effective but not outstanding.
7.0
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